{"title":"Books \u0026 Magazines: Contemporary Art Surveys","description":"","products":[{"product_id":"young-gifted-and-black-a-new-generation-of-artists","title":"Young, Gifted and Black: A New Generation of Artists","description":"\u003cp\u003eEdited with essay by Antwaun Sargent. Text by Graham C. Boettcher, Jessica Bell Brown, Connie H. Choi, Anthony Graham, Lauren Haynes, Jamillah James, Thomas J. Lax, Hallie Ringle, Adeze Wilford, Gordon Dearborn Wilkins, Matt Wycoff. Interview with Bernard Lumpkin by Thelma Golden.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now.\u003cbr\u003e\u003cbr\u003eEdited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that “it has become undeniable that African American artists are making much of the best American art today,” Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself.\u003cbr\u003e\u003cbr\u003eYoung, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted and Black in contemporary art.\u003cbr\u003e\u003cbr\u003eArtists include: Mark Bradford, David Hammons, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Adam Pendleton, Pope.L, LaToya Ruby Frazier, Henry Taylor, Mickalene Thomas, Lynette Yiadom-Boakye, Tunji Adeniyi-Jones, Sadie Barnette, Kevin Beasley, Jordan Casteel, Jonathan Lyndon Chase, Bethany Collins, Noah Davis, Cy Gavin, Allison Janae Hamilton, Tomashi Jackson, Samuel Levi Jones, Deana Lawson, Norman Lewis, Eric N. Mack, Arcmanoro Niles, Jennifer Packer, Christina Quarles, Jacolby Satterwhite, Paul Mpagi Sepuya, Sable Elyse Smith, Chanel Thomas, Stacy Lynn Waddell, D’Angelo Lovell Williams, Brenna Youngblood, and more.\u003cbr\u003e\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977474920743,"sku":"57728410","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/young-gifted-and-black-a-new-generation-of-artists-146.jpg?v=1699207885"},{"product_id":"l-a-object-david-hammons-body-prints","title":"L.A. Object \u0026 David Hammons Body Prints","description":"\u003cp\u003e Edited by Connie Rogers Tilton, Lindsay Charlwood. Text by Steve Cannon, Dale Davis, Josine Ianco-Starrels, Kellie Jones, Yael Lipschutz, John Outterbridge, Greg Pitts, Betye Saar, Tobias Wofford.\u003c\/p\u003e\n\u003cp\u003eL.A. Object offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time within the context from which they arose. Also included are photographic contributions by Bruce Talamon and Harry Drinkwater.\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977503035687,"sku":"LAOBJ","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/71iIJ_b2G7L._AC_UF1000_1000_QL80.jpg?v=1699208138"},{"product_id":"art-escapes","title":"Art Escapes","description":"\u003cdiv data-cel-widget=\"bookDescription_feature_div\" data-csa-c-id=\"bdgogu-rfvuxv-wq9jlr-p2fpui\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"3967040526\" data-csa-c-slot-id=\"bookDescription_feature_div\" data-csa-c-content-id=\"bookDescription\" data-csa-c-type=\"widget\" data-feature-name=\"bookDescription\" class=\"celwidget\" id=\"bookDescription_feature_div\"\u003e\n\u003cdiv class=\"a-expander-collapsed-height a-row a-expander-container a-spacing-base a-expander-partial-collapse-container\" data-a-expander-collapsed-height=\"140\" data-a-expander-name=\"book_description_expander\"\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" aria-expanded=\"false\"\u003e\u003cspan\u003eArt exists all around us: one just needs to know where to look. Escaping the conventional settings of the museum or gallery, a fascinating variety of art pieces exist everywhere from Ghanaian patios to the Las Vegas desert, from the forest in Scandinavia to the buzzing streets of Mexico City. Art Escapes is a thoughtful journey through these little-known gems that become a destination in themselves, and should be part of every art-lover bucket list. Away from the queues, the crowds, and the constraints of the classic art spaces, these places invite you to discover creativity in a new light.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46978894168359,"sku":null,"price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/Screenshot2023-10-23at2.41.55PM.png?v=1698090124"},{"product_id":"in-the-black-fantastic","title":"In the Black Fantastic","description":"\u003cp\u003eA richly illustrated exploration of Black culture at its most wildly imaginative and artistically ambitious, In the Black Fantastic assembles art and imagery from across the African diaspora. Embracing the mythic and the speculative, it recycles and reconfigures elements of fable, folklore, science fiction, spiritual traditions, ceremonial pageantry, and the legacies of Afrofuturism. In works that span photography, painting, sculpture, cinema, graphic arts, music and architecture, In the Black Fantastic shows how speculative fictions in Black art and culture are boldly reimagining perspectives on race, gender and identity.\u003cbr\u003e\u003cbr\u003eStanding apart from Western narratives of progress and modernity premised on the historical subjugation of people of color, In the Black Fantastic celebrates the ways that Black artists draw inspiration from African-originated myths, beliefs, and knowledge systems, confounding the Western dichotomy between the real and unreal, the scientific and the supernatural. Featuring more than 300 color illustrations, this beautifully designed book brings together works by leading artists such as Kara Walker, Chris Ofili, and Ellen Gallagher; explores groundbreaking films like Daughters of the Dust and Get Out; considers the radical politics of pan-Africanism and postcolonialism; and much more.\u003cbr\u003e\u003cbr\u003eEach section—“Invocation,” “Migration,” and “Liberation”—includes an introductory text by Ekow Eshun and longer essays by Eshun, Kameelah L. Martin, and Michelle D. Commander.\u003cbr\u003e\u003cbr\u003eThe book features both coated and uncoated papers, along with three small 8-page pamphlets, which are sewn into the spine to provide a textured and tactile reading experience.\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46978947481895,"sku":null,"price":39.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/81Sh2nTZI-L._AC_UF1000_1000_QL80.jpg?v=1698093014"},{"product_id":"just-above-midtown-changing-spaces","title":"Just Above Midtown: Changing Spaces","description":"\u003cp\u003eEdited with text by Thomas J. Lax, Lilia Rocio Taboada. Text by Eric Booker, Brandon Eng, Kellie Jones, Yelena Keller, Marielle Ingram, Legacy Russell. Interview with Linda Goode Bryant by Thelma Golden.\u003c\/p\u003e\n\u003cp\u003eJust Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art—including David Hammons, Butch Morris, Senga Nengudi, Lorraine O’Grady and Howardena Pindell—as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003ePublished in conjunction with the first museum exhibition to focus on this visionary gallery and its ongoing impact, Just Above Midtown: Changing Spaces showcases rarely seen material from JAM’s history—artworks, ephemera and photographs—that collectively document the gallery’s communal and programmatic activities. This richly illustrated, jacketed paperback catalog includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e“I walked in and I was like, Yes! And I remember thinking, ‘I don’t care if I never show there, I’m so glad to know it exists.’ It was like it gave my brain another dimension. I had something to look to.” –Janet Olivia Henry, JAM volunteer and artist\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e”JAM has always been like a snowball on a hill, always gaining momentum. I’m still connected with all the things that happened there. Just Above Midtown—as much as it is a physical entity, it’s also a spiritual entity. It has never not been a part of my thinking as an artist, or a part of my life as an artist, or a part of my momentum as an artist.” –Randy Williams, artist and educator\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46978952069415,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/711ENZoWPwL._AC_UF1000_1000_QL80.jpg?v=1698093423"},{"product_id":"queer-exhibition-histories","title":"Queer Exhibition Histories","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEdited with text by Bas Hendrikx. Text by Aaron Betsky, Övül Durmusoglu, Aleksandra Gajowy, Halyna Gleba, Jessica Gysel, Valentina Iancu, Ryan Kearney, Katrin Kivimaa, Léon Kruijswijk, Élisabeth Lebovici, Edwin Nasr, François Piron, Sylvia Sadzinski, Kateryna Yakovlenko, Liang-Kai Yu, et al.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis anthology gathers case studies from the history of queer art exhibitions and their modes of documentation and archiving. The legacy of these projects often depends on personal archives, and consequently \"public\" is a relative term for events that were either short-lived, held in domestic spaces or only for those in the know. At the intersection of queerness and contemporary art, this volume considers how the efforts of LGBTQ artists have advanced their public presence in museums and society alike.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCase studies include Storefront for Art and Architecture’s 1994 Queer Spaces exhibition and the Cruising Pavilion at the 2018 Venice Architecture Biennale; the \"Queer Kharkiv School of Photography\"; Martha Rosler's Dia exhibition If you lived here; the Canadian musician Peaches’ exhibitions; Untold Stories, Estonia's first queer group exhibition; exhibitions on HIV\/AIDS in German-speaking countries and France; queer artists and curators in Croatia; \"crip\" theory’s intersection with queer studies; a conversation with Sámi artist Katarina Pirak Sikku; and museum policies such as the Guggenheim Transparency initiative, Queer Is Not a Manifesto at the Stedelijk and Queering the Collection at Van Abbemuseum Eindhoven.\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46978976350503,"sku":null,"price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/71YFRGfI0_L._AC_UF1000_1000_QL80.jpg?v=1698095803"},{"product_id":"the-place-is-here-the-work-of-black-artists-in-1980s-britain","title":"The Place Is Here: The Work of Black Artists in 1980s Britain","description":"\u003cp\u003eThe Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media.\u003cbr\u003e\u003cbr\u003eThe book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material.\u003cbr\u003e\u003cbr\u003eContributors\u003cbr\u003e\u003cbr\u003eNick Aikens, Sonia Boyce, Laura Castagnini, Deborah Cherry, Alice Correia, Chandra Frank, June Givanni, Sunil Gupta, Evan Ifekoya, Claudette Johnson, Raisa Kabir, Gail Lewis, Amna Malik, Samia Malik, Priyesh Mistry, Dorothy Price, susan pui san lok, Raju Rage, Elizabeth Robles, Ashwani Sharma, Marlene Smith, Leon Wainwright, Michelle Williams Gamaker, Rehana Zaman\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":47027997835559,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/9783956794667.jpg?v=1698681320"},{"product_id":"militant-eroticism-the-art-positive-archives","title":"Militant Eroticism: The ART+Positive Archives","description":"\u003cp\u003eThis book is the first survey of the art and practice of Art+Positive, a significant affinity group of ACT UP New York during the early years of the AIDS epidemic. Staging self-initiated actions, and also participating in larger demonstrations organized by ACT UP, Art+Positive practiced an improvisational approach to activism at the intersection of the AIDS crisis and the culture wars of the late 1980s and early 1990s. Their multiplatform projects were especially focused on fighting AIDS phobia, censorship, homophobia, misogyny, and racism within the art world. Members, collaborators, and contributors to Art+Positive included artists Lola Flash, Nan Goldin, Aldo Hernández, Zoe Leonard, Ray Navarro, Hunter Reynolds, Catherine (Saalfield) Gunn, Julie Tolentino, and David Wojnarowicz.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Art+Positive archives, assembled by Hunter Reynolds in the mid-1990s, were out of public view for more than twenty years. Art collector and HIV\/AIDS researcher Dr. Daniel Berger acquired the group's archives in early 2015. Shortly thereafter, he and artist John Neff presented an exhibition of the archives at Iceberg Projects, Chicago. Militant Eroticism: The ART+Positive Archives documents that exhibition and is extensively illustrated with artworks, documents, protest ephemera, and meeting notes from the Art+Positive archives. Also included are essays by Berger, Neff, and former ACT UP member and scholar Debra Levine. These essays are presented alongside previously unpublished writings by Ray Navarro, Hunter Reynolds, and David Wojnarowicz.\u003cbr\u003e\u003cbr\u003eContributors:\u003cbr\u003eDaniel Berger, Debra Levine, Ray Navarro, John Neff, Hunter Reynolds, David Wojnarowicz\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":47028074316071,"sku":null,"price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/9783956793653.jpg?v=1698681879"},{"product_id":"99-or-less","title":"99¢ or Less","description":"\u003cp\u003eThe Museum of Contemporary Art Detroit’s show 99¢ or Less gathers 99 American artists addressing Detroit’s ongoing economic crisis, its 2013 bankruptcy and its role as an industrial powerhouse. The participating artists, among them John Baldessari, Brian Belott, Sarah Crowner, Michelle Grabner, Rob Pruitt and Amy Sillman, use materials from 99 cent stores.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":47081421570343,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/99-or-less-49.jpg?v=1699328710"},{"product_id":"groundswell-women-of-land-art","title":"Groundswell: Women of Land Art","description":"\u003cp\u003eA bold reappraisal of Land art through the pioneering work of 12 sculptors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however fleeting or permanent that might be—foregrounding natural materials and the site itself to create large-scale works located outside of typical urban art-world circuits.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eHistories of Land art have long been dominated by men, but \u003cem\u003eGroundswell: Women of Land Art\u003c\/em\u003e shifts that focus to shed new light on the vast number of earthworks by women artists. While their careers ran parallel to those of their better-known male counterparts, they have received less recognition and representation in museum presentations—until now.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis book includes five scholarly essays, as well as a detailed chronology, exhibition checklist and illustrated biographies of exhibition artists. 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Guggenheim Museum in New York and an upcoming show at the Stedelijk Museum in Amsterdam, ZERO brings together the work of 45 artists from the ZERO network more than 50 years after the founding of the movement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDevoted not only to the first founding artists--Heinz Mack, Otto Piene and Günther Uecker--nor even just to those international artists associated with the network like Yves Klein and Lucio Fontana, this volume also seeks to document the contributions of lesser-known artists such as Hermann Goepfert, Oskar Holweck and Hans Salentin. Organized by the ZERO foundation and including some 200 objects, ZERO is one of the most comprehensive resources available on this self-consciously avant-gardist international movement.\u003c\/p\u003e\n\u003cp\u003eEdited by Dirk Pörschmann, Margriet Schavemaker. Text by Antoon Melissen, Johan Pas, Francesca Pola, Thekla Zell, Mattijs Visser, Daniel Birnbaum.\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":47154763661607,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/ZERo.jpg?v=1700329578"},{"product_id":"painting-in-new-york-1971-83","title":"Painting in New York 1971–83","description":"\u003cp\u003ePublished to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form of painting emerged, fusing elements of sculpture and textile into the medium while reevaluating its role through innovative art historical methodologies. Amid debates about the relevance of painting, women artists revitalized the practice, coinciding with a shifting political landscape characterized by the global revolt of women against their marginalized status.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtists include: Emma Amos, Ida Applebroog, Jennifer Bartlett, Betty Blayton, Vivian Browne, Cynthia Carlson, Martha Diamond, Louise Fishman, Suzan Frecon, Nancy Graves, Cynthia Hawkins, Mary Heilmann, Virginia Jaramillo, Jane Kaplowitz, Harriet Korman, Lois Lane, Helen Marden, Dindga McCannon, Ree Morton, Elizabeth Murray, Ellen Phelan, Howardena Pindell, Sylvia Plimack Mangold, Faith Ringgold, Dorothea Rockburne, Susan Rothenberg, Joan Semmel, Jenny Snider, Joan Snyder, Pat Steir.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":48360699658535,"sku":null,"price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/painting-in-new-york-1971-83-5.jpg?v=1715185279"},{"product_id":"an-indigenous-present","title":"An Indigenous Present","description":"\u003cp\u003eThis landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtists include: Neal Ambrose-Smith, Teresa Baker, Natalie Ball, Laakkuluk Williamson Bathory, Rebecca Belmore, Andrea Carlson, Nani Chacon, Raven Chacon, Dana Claxton, Melissa Cody, Chris T. 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Epitomized by Warhol’s Campbell’s soup cans, Pop Art drew on mass-market sources and products as well as the banal and kitsch.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-detail-information__edition-and-specs\"\u003e\u003cspan class=\"product-detail-information__book-details\"\u003eHardcover, \u003cspan data-testid=\"book-details--dimensions\"\u003e8.3 x 10.2 in., \u003c\/span\u003e\u003cspan data-testid=\"book-details--weight\"\u003e1.34 lb, \u003c\/span\u003e96 pages\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-detail-information__edition-and-specs\"\u003e\u003cspan class=\"product-detail-information__book-details\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-detail-information__edition-and-specs\"\u003e\n\u003ch5 class=\"read-more__biography--title\" role=\"heading\" aria-level=\"3\" data-uw-rm-heading=\"level\"\u003eThe author\u003c\/h5\u003e\n\u003cdiv class=\"read-more__biography--item\"\u003e\n\u003cp class=\"read-more__biography--text\"\u003eKlaus Honnef was honorary professor of photography theory at the Kassel Art Academy. 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