{"title":"Books \u0026 Magazines: Walker Publications\/Exhibition Catalogues","description":"","products":[{"product_id":"adios-utopia-art-in-cuba-since-1950","title":"Adiós Utopia: Art in Cuba Since 1950","description":"\u003cp\u003ePublished in conjunction with the exhibition \u003ca href=\"https:\/\/walkerart.org\/calendar\/2017\/adios-utopia\"\u003e\u003cem\u003eAdiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 \u003c\/em\u003e\u003c\/a\u003eheld at the Walker Art Center Nov 11, 2017–Mar 18, 2018.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis publication offers a new vision of artistic development and production and which centers on associations with the utopian spirit that defines Cuba’s revolutionary period and its impact on art.\u003cbr\u003e\u003cbr\u003eThrough research and critique, the publication establishes a meaningful dialogue that demystifies the preconceived narratives that have characterized Cuban art during the Revolution. Aesthetics, politics and culture are often inextricably interlinked in the artworks created during this period, which in turn exemplify the global transcendence of how art can respond to a dynamic context. This publication reveals a broad range of trends and approaches from the 1950s until the present, covering a variety of mediums such as painting, sculpture, installation, photography and poster art, among others.\u003cbr\u003e\u003cbr\u003eWith over 150 images of artworks produced in Cuba during this time and more than 100 images from archival documents spanning over 60 years, the book includes essays by historians, art critics, curators, artists and other academics as well as a comprehensive chronology.\u003c\/p\u003e\n\u003cp\u003eHardcover \/ Slipcase \/ 404 pages \/ 2017\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977484718375,"sku":"56302398","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/file_d9a9bc59-d0f0-4039-942e-5f7420461946.png?v=1788297691"},{"product_id":"andy-warhol-supernova-stars-deaths-and-disasters-1962-1964","title":"Andy Warhol\/Supernova: Stars, Deaths and Disasters 1962-1964","description":"\u003cp\u003eFirst Edition \u003c\/p\u003e\n\u003cp\u003eEdited by Douglas Fogle. Essays by Francesco Bonami, Douglas Fogle and David Moos.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the age of mass media, American culture has displayed an unequaled fascination with both celebrities and disasters. Andy Warhol was one of the first artists to investigate these twin obsessions, beginning in the mid-1960s, as he shifted his practice from hand-painting to the mechanical photo silkscreen process. Andy Warhol\/Supernova brings together more than 50 examples of the artist's early silkscreen work, juxtaposing his iconic serial images of Marilyn Monroe, Elizabeth Taylor and Elvis Presley with his evocative and often disturbing appropriations of car crashes, electric chairs, and other \"disasters,\" appropriated from photojournalism and made side by side. The combination provides a glimpse into a prevailing condition of American modernity--this dual fascination with fame and tragedy--that remains a key component of our national identity. Looking back at this body of masterworks, now some 40 years old, it becomes clear that if some things have changed, more have stayed the same.\u003c\/p\u003e\n\u003cp\u003eHardcover, 9.75 x 13 in. \/ 112 pgs \/ 72 color.\u003c\/p\u003e\n\u003cp\u003ePublisher: Walker Art Center, 2005\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Red","offer_id":46977485373735,"sku":null,"price":39.95,"currency_code":"USD","in_stock":true},{"title":"Blue","offer_id":46977485406503,"sku":null,"price":39.95,"currency_code":"USD","in_stock":true},{"title":"Yellow","offer_id":46977485439271,"sku":null,"price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/andy-warhol-supernova-88.jpg?v=1699644481"},{"product_id":"bits-pieces-put-together-to-present-a-semblance-of-a-whole-walker-art-center-collections","title":"Walker Art Center Collections: Bits \u0026 Pieces Put Together To Present A Semblance Of A Whole","description":"\u003cp\u003e\u003cspan\u003eEdited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early twentieth century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations and digital arts that range in date from classic early Modernist to cutting edge contemporary.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClothbound, 7.5 x 10.5 in. \/ 616 pgs \/ 680 color \/ 150 duotone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePublication Date \u003cspan itemprop=\"datePublished\" content=\"2005-04-15\"\u003e4\/15\/2005\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977487143207,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/514x2Fh_P4L.jpg?v=1699728168"},{"product_id":"sol-lewitt-lines-in-two-directions-and-in-five-colors-on-five-colors-with-all-their-combinations","title":"Sol LeWitt - Lines in Two Directions and in Five Colors on Five Colors with all Their Combinations (1988)","description":"\u003cp\u003ePublished on the occasion of the exhibition \u003cem\u003eSol LeWitt: Prints and Books\u003c\/em\u003e, held at the Walker Art Center and the Minnesota Center for Book Arts in 1988.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublisher: Walker Art Center\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBook Format: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e Paperback \/\u003c\/span\u003e\u003cspan\u003e 9 x 9 in. \/ 80 pgs \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003ePublication Date: 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977525219623,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/md30776574117.jpg?v=1699726292"},{"product_id":"cremaster-2-matthew-barney","title":"Matthew Barney - Cremaster 2 (1999)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished in conjunction with the exhibition Matthew Barney: Cremaster 2 at the Walker Art Center, Minneapolis, July 18 – October 17, 1999, organized by Richard Flood.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe second installment of Barney's ongoing series of Cremaster \"operas,\" Cremaster 2 is loosely based on the life of serial killer Gary Gilmore's fascination with his alleged maternal grandfather, Harry Houdini, \u003cmeta charset=\"utf-8\"\u003eand his desire to join Houdini in the afterlife. \u003cmeta charset=\"utf-8\"\u003eThis artist’s book of the film comes encased in a molded plastic sheath featuring the emblem of a beehive, a symbol of the Mormon Tabernacle.\u003c\/span\u003e\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977526661415,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/51n_P2lRt2L._SX679.jpg?v=1699652654"},{"product_id":"saul-baizerman-nike-postcard","title":"Saul Baizerman Nike Postcard","description":"\u003cdiv\u003eSingle postcard featuring Saul Baizerman's \u003cem\u003eNike\u003c\/em\u003e (1949-1952) from the Walker's permanent collection.\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eMuseum exclusive\u003c\/li\u003e\n\u003cli\u003e4\" x 6\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977540718887,"sku":null,"price":1.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/products\/GardenCards-10.png?v=1698052587"},{"product_id":"jim-hodges-give-more-than-you-take","title":"Jim Hodges: Give More Than You Take","description":"\u003cp\u003eText by Jeffrey Grove, Olga Viso, Bill Arning, Susan Griffin, Helen Molesworth.\u003c\/p\u003e\n\u003cp\u003eSince the late 1980s, Jim Hodges’ poetic reconsiderations of the material world have inspired a body of multimedia work in which the manmade and artificial are invested with emotion and authenticity. Co-published by the Dallas Museum of Art and the Walker Art Center, this volume accompanies the first comprehensive, scholarly exhibition to be organized in the United States of this critically acclaimed American artist. Examining over 25 years of his artistic career, this uniquely designed catalogue weaves together the voices of many to situate the artist’s work within issues of identity, social activism, illness, beauty, generosity and death. Contributions include an in-depth overview of Hodges’ career by Jeffrey Grove, Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art; an essay and interview with the artist by Olga Viso, Executive Director of the Walker Art Center; a reflection on Hodges’ early artistic development by Bill Arning, Director of the Contemporary Arts Museum, Houston; an essay on sentimentality and the artist’s recent video work by Helen Molesworth, Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston; as well as ruminations on recurring motifs in the artist’s work by author Susan Griffin.\u003cbr\u003e\u003cbr\u003eBorn in 1957 in Spokane, Washington, New York-based artist Jim Hodges has been featured in numerous solo and group exhibitions in the U.S. and in Europe, including the 2004 Whitney Biennial and a solo exhibition at the Centre Georges Pompidou, Paris. Hodges’ work is included in the collections of notable institutions, among them the Dallas Museum of Art; the Walker Art Center, Minneapolis, MN; The Art Institute of Chicago; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Los Angeles County Museum of Art; The Museum of Modern Art, New York; the Philadelphia Museum of Art; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York.\u003cbr\u003eBorn in 1957 in Spokane, Washington, New York-based artist Jim Hodges has been featured in numerous solo and group exhibitions in the U.S. and in Europe, including the 2004 Whitney Biennial and a solo exhibition at the Centre Georges Pompidou, Paris. Hodges’ work is included in the collections of notable institutions, among them the Dallas Museum of Art; the Walker Art Center, Minneapolis, MN; The Art Institute of Chicago; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Los Angeles County Museum of Art; The Museum of Modern Art, New York; the Philadelphia Museum of Art; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York.\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977555005735,"sku":null,"price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/image_364c250f-9627-4243-b4de-e22f0efa1925copy.jpg?v=1699746428"},{"product_id":"expanding-the-center-walker-art-center-and-herzog-de-meuron","title":"Expanding the Center: Walker Art Center and Herzog \u0026 de Meuron","description":"\u003cp\u003eEdited by Andrew Blauvelt. Essays by Andrew Blauvelt, Steve Dietz, Sarah Schultz and Robin Dowden. Conversations with Philippe Vergne, Richard Flood, Doryun Chong, Pitor Szhakski and Rich Shelton. Foreword by Kathy Halbreich.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe Walker Art Center opened its expanded space, which includes a new theater, a new restaurant and more galleries, but is best known for being Herzog \u0026amp; de Meuron's first public building in the United States. The project drew national coverage from media including The New York Times. Expanding the Center addresses this public interest in the building with a generous selection of images, including sketches, renderings and photographs of the construction process and the completed work. Herzog \u0026amp; de Meuron's shimmering but grounded design mirrors the textures and shades of the Walker's original space, and an institutional philosophy based in innovation and risk-taking, the exploration of alternative approaches to learning, the experimental use of technologies to communicate information, and the design of spaces to enhance a variety of museum experiences. The book is organized around the decisions and actions of the architects, builders, Walker staff and the audience--i.e. designing, constructing, unveiling, staging, gathering, patterning, framing, collecting--and highlights the thinking that led to the visible form of the Center as well as the innovative projects and initiatives that give it its inimitable character.\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977555333415,"sku":null,"price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/21Yc_w3gtZL.jpg?v=1699647366"},{"product_id":"pacita-abad","title":"Pacita Abad","description":"\u003cp\u003eEdited with text by Victoria Sung. Text by Pio Abad, Julia Bryan-Wilson, Ruba Katrib, Nancy Lim, Matthew Villar Miranda, Xiaoyu Weng.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA comprehensive survey of Abad's visually dazzling and politically prescient works blending fabric and paintingThis volume surveys three decades of Pacita Abad’s multifaceted practice. Published on the occasion of her first-ever retrospective, it includes new research and writing by Julia Bryan-Wilson, Ruba Katrib, Nancy Lim, Matthew Villar Miranda, Victoria Sung and Xiaoyu Weng, an edited oral history about the artist’s life and work by Pio Abad and Victoria Sung, and never-before-seen artworks and archival materials.Over the course of her career, Abad made an exuberant, wide-ranging body of work that was ahead of its time in promoting a transcultural worldview. Moving between the Philippines, Indonesia, Singapore and the US—while also spending extended periods in dozens of countries on six continents—she interacted with the many artist communities she encountered on her travels. Drawing on her knowledge of global fiber traditions, Abad innovated a hybrid art form that she called “trapunto” painting (from the Italian word trapungere, “to embroider”). Made by stitching and stuffing her painted canvases as opposed to stretching them over a wood frame, the resulting works’ portability speaks to her peripatetic existence, while their association with textiles evokes female, non-Western forms of labor that have historically been marginalized as craft. Pacita Abad (1946–2004) was born in Batanes, Philippines. Because of her activism against the Marcos regime, she was forced to leave for the US in 1970, where she studied Asian history at the University of San Francisco and painting at the Corcoran School of Art in Washington, DC, and the Art Students League in New York City. Abad created more than 5,000 artworks and had over 60 solo exhibitions in the US, Asia, Europe, Africa and Latin America.\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977556578599,"sku":"PACITA","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/image_518ae22a-01f2-4072-befe-671d88b5df57copy.jpg?v=1699746370"},{"product_id":"jannis-kounellis-in-six-acts","title":"Jannis Kounellis in Six Acts","description":"\u003cp\u003eOver the course of more than five decades, Jannis Kounellis developed a singular practice across painting, works on paper, sculpture, installation and hybrid works combining objects with live performance. Playing a central role in the Italian Arte Povera movement of the 1960s and early 1970s, Kounellis created wide-ranging and innovative works exploring theater, migration, history, politics and other themes, which continue to influence subsequent generations of artists.\u003c\/p\u003e\n\u003cp\u003ePublished by the Walker Art Center for the first US Kounellis survey in over 35 years, \u003cem\u003eJannis Kounellis in Six Acts\u003c\/em\u003e offers the most comprehensive assessment of his career to date. The richly illustrated catalog, assembled with the full cooperation of the artist’s estate and archive, presents a first-of-its-kind collection of visual materials and Kounellis’ writings, including image-based exhibition and performance chronologies. The volume also features essays by Vincenzo de Bellis, Claire Gilman, Kit Hammonds and Ara H. Merjian.\u003c\/p\u003e\n\u003cp\u003eJannis Kounellis (1936–2017) was born in Piraeus, Greece. In 1956, he moved to Rome and by 1960 was an active member of the Arte Povera movement. In 1969 he created one of his best-known works: the installation of 12 live horses in the gallery L’Attico in Rome. Kounellis’ first New York solo show was in 1972. Recent exhibitions have been held at the Museum of Cycladic Art, Athens, Greece (2012) and the Neue Nationalgalerie, Berlin, Germany (2007), among others.\u003c\/p\u003e\n\u003cp\u003ePhotographs of Kounellis’s works in this catalogue are the work of Claudio Abate, whose estate, along with the Kounellis estate, has granted reproduction rights.\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977556906279,"sku":"CATJKSA","price":44.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/31tDlzERdlL._SX342_SY445.jpg?v=1699649880"},{"product_id":"paul-chan-breathers-exhibition-catalog","title":"Paul Chan: Breathers","description":"\u003cp class=\"booktitlebigred\" itemprop=\"name\"\u003eEdited with text by Pavel S. Pyś. Foreword by Mary Ceruti. Text by Vic Brooks, Paul Chan.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"booktitlebigred\" itemprop=\"name\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul Chan\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(born 1973) is an artist, writer and publisher who lives in New York. Chan is the winner of the Hugo Boss Prize in 2014, and a recipient of a 2022 MacArthur Genius Fellowship. The exhibition \u003c\/span\u003e\u003cem\u003ePaul Chan: Breathers \u003c\/em\u003e\u003cspan\u003eis showing at the Walker Art Center November 17, 2022-July 16, 2023.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume surveys Paul Chan’s publications and works made between 2010 and 2022 following his return to artmaking. The exhibition takes as its organizing principle the notion of the “breather,” a word that can signify a moment of rest or pause but can also reference a purposeful redirection toward other activities.\u003c\/p\u003e\n\u003cp\u003eChan’s turn to publishing through the founding of his independent press Badlands Unlimited represented a type of “breather.” Badlands for Chan embodied a radical break that seeded new ideas and ways of working. The term is also what Chan titles a recent major body of work. Breathers is an ongoing series of pneumatic sculptures and installations that he considers a new genre of moving-image works. Tacitly and overtly, the metaphor of the “breather” underscores each of the works in the Walker Art Center exhibition, which, with the artist’s input, is conceived in four sections.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHardcover, 9.5 x 11 in. \/ 212 pgs \/ 243 color \/ 14 bw.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977576272167,"sku":"9781935963240","price":52.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/719tNw9Ao8L._SY522.jpg?v=1699654668"},{"product_id":"chris-larson-failure","title":"Chris Larson: Failure","description":"\u003cp\u003eChris Larson's art examines the relationships between humans and machines, exploring these ideas in sculpture, photography, drawing, and film. is sculptures are large wooden constructions that \"operate\" in an ambiguous realm between heroic purpose and absurd repetition. They play the dignity of human work and invention against the futility of toil and mechanization. Some sculptures speak of irrational collisions, like that of a spaceship crashing into a barn; other sculptures are \"machines\" to which Larson returns in his films, documenting enigmatic collaborations among people who labor together toward an unknown purpose. In one film, Larson confronts tropes of good and evil, yet confounds us with the strange, primal results of the encounter. Richly metaphoric, Larson's work dissolves clear boundaries between human and machine, purpose and absurdity, and the possibility of spiritual transcendence versus mechanistic determinism. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith texts by Kris Douglas,, Wayne L. 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Joseph, Gregor Stemmrich, and Ann Temkin, with an extensive chronology by Maartje Oldenberg. \u003c\/p\u003e\n\u003cp\u003eThis monograph offers the most comprehensive overview to date of Claes Oldenburg's groundbreaking work from the 1960s—from the graffiti inspired representations of modern urban life in the \u003cem\u003eStreet \u003c\/em\u003einstallation and the expressionistically sculpted consumer goods of \u003cem\u003eThe Store \u003c\/em\u003e\u003cem\u003e\u003c\/em\u003eto the colossal interpretations of everyday objects in public spaces. Oldenburg's sculptures present a living theater of objects that variously materialize as soft and limp, hard and formalistic, gigantic, and ghostly. No other modern artist has vivified—and reified—art to the same degree as Oldenburg. In a continual metamorphosis, the object-as-commodity becomes a symbol of the fantasies, desires, and obsessions that are inherent to our daily lives. 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Axsom devotes his fine essay to Frank Stella's diverse projects at the Tyler Workshop. The book concludes with Leonard B. Schlosser's capsule history of papermaking and Ruth E. 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Edited by Karen Jacobson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCelebrity. Desire. Seduction. Transgression. Welcome to the pleasure zones of today's entertainment-driven consumer society. From the development of urban entertainment districts like Times Square and experiential retail environments such as Nike Town to the cult of celebrity surrounding politics today, all aspects of everyday life are being transformed into an endless series of spectacles in which we participate with both pleasure and guilt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLet’s Entertain: Life’s Guilty Pleasures \u003c\/em\u003eexamines this \u003cspan data-mce-fragment=\"1\"\u003e'spectacularization\" of everyday experience through the twin lenses of contemporary art practice and cultural criticism. 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Here, Baghramian has replaced the original invitation to do a retrospective and presents entirely new sculptures that reflect upon and alter her previous bodies of work from 1999 to 2016. Some pieces incorporate rejected ideas or materials, while others explore variations in form. Baghramian is, as she says, “surveying the survey,” pushing the sculptor’s task into new territory with her ever-evolving practice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe exhibition takes its name from a French phrase often translated as “professional distortion” or “job conditioning,” referring to ways that a person’s worldview can be altered by their chosen vocation. The artist uses the exhibition as an opportunity to take apart her own profession and lay bare the sculptor’s method. In fact, the word “deformation” can also be applied to form, pointing to basic actions such as shaping, modeling, or casting. 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Art veered between radical and conservative, capricious and political, socially engaged and art-historically aware. Even as Reaganomics dramatically expanded art as a luxury commodity, postmodernism further challenged the very status of representation and shifted artists’ sense of their role in society.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThis Will Have Been: Art, Love \u0026amp; Politics in the 1980s\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esurveys these and other developments with more than 100 works, including paintings, sculpture, photography, video, audio, works on paper, and documentary material by some 80 artists.\u003c\/p\u003e\n\u003cp\u003eFour sections bring together competing factions of this transformative decade. “The End Is Near” explores the end of painting, the end of the counterculture, and the end of history. “Democracy” focuses on artists’ work in the street and their burgeoning awareness and exploitation of mass media, as well as a broader commitment to the political and the increased prominence of Central American artists and artists of color. “Gender Trouble” shows work evolving out of 1970s feminism, expanding gender roles and addressing new ideas about sexuality and the human figure in art. “Desire and Longing” presents the art of appropriation in relation to the growing visibility of queer culture sparked by the AIDS crisis.\u003c\/p\u003e\n\u003cp\u003eIn deliberately crossing these themes, this contentious exhibition counters the cynicism and irony with which art of this period is sometimes viewed. 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Encompassing nearly one hundred contemporary examples—from wearable objects to urban infrastructure—this handbook interrogates attitudes toward technology, consumption, beauty, and social and environmental challenges. The projects examined include a typeface unreadable by text-scanning software, the Svalbard Global Seed Vault, a dress incorporating the sound-wave patterns of birds in flight, a shelter for cricket farming, and a speculative prosthetics catalogue for the “post-human.” Commissioned essays and interviews from figures such as Francis Kéré, Bruno Latour, Neri Oxman, and Danielle Wood give voice to issues faced in futures near and far. With perspectives ranging from historical visions of the future to the use of biological materials in production processes, this is essential reading for anyone interested in how design might shape the world to come.\u003c\/p\u003e\n\u003cp\u003eKathryn B. 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His artworks, at once abstract and political, engage a range of references: from Persian calligraphy to the manifesto, letter, and talisman; from poetry to mathematical equations and computer programming; from the Abstract Expressionist canvas to American vernacular architecture, Bauhaus design, and Russian Constructivism. To follow the line is to explore Armajani’s visionary proposals for both the physical world and the realm of ideas.\u003cbr\u003e\u003cbr\u003ePublished to accompany Armajani’s first US retrospective, this fully illustrated catalogue includes previously unpublished texts as well as a chronology of the Iranian-born, Minneapolis-based artist’s life and work. Contributions by Nazgol Ansarinia, Sam Durant, Barbad Golshiri, and Slavs and Tatars speak to his influence on a younger generation of artists based in the United States, Europe, and the Middle East.\u003cbr\u003e\u003cbr\u003eEdited with text by Clare Davies and Victoria Sung. 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Emerging in late-1960s Los Angeles, Ruppersberg was among that city’s first generation of conceptual artists to espouse a working method that privileges ideas and process over conventional aesthetic objects. Deploying posters, books, postcards and even a café and hotel, his projects have consistently had at their center a focus on the American vernacular—its music, popular imagery and ephemera—mining the nuances of culture through its unsung conventions. From his earliest works, the artist has also welcomed the involvement of the viewer as participant, inviting an immersive experience of his work through language, visual density, accumulated elements and ideas.\u003c\/p\u003e\n\u003cp\u003eThis fully illustrated catalogue is the most comprehensive publication to date on Ruppersberg’s work, featuring a wealth of scholarly content and critical writing connecting Ruppersberg’s work to the larger contemporary art field. 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Working with fairy tales, science fiction and sensational imagery, these artists invite us to enter an uncanny world of their own creation, where darkness is not just a representation of chaos, madness and dystopia, but an artistic strategy in the search for clarity and empathy within the insurmountable nihilism of the twenty-first century. With an introduction by curator Philippe Vergne and individual interviews with the artists.\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977640235303,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/image_e1167ffd-b877-4703-aad7-a708dc0d170dcopy.jpg?v=1699745935"},{"product_id":"the-spectacular-of-vernacular","title":"The Spectacular of Vernacular","description":"\u003cp\u003e\u003ci\u003eThe Spectacular of Vernacular\u003c\/i\u003e addresses the role of vernacular forms in the work of 26 artists who utilize craft, folklore and roadside kitsch to explore the role of culturally specific iconography in the increasingly global world of art. Drawing inspiration from such sources as local architecture, amateur photographs and state fair banners, their work runs the spectrum from the sleek to the handcrafted. Inspired by Mike Kelley's observation that \"the mass culture of today is the folk art of tomorrow,\" these artists embrace the totems and neon signs of roadside America. Thus, alongside the visibly handcrafted works of Matthew Day Jackson and Dario Robleto we find the dense and day-glo paintings of Lari Pittman, the glittering trophy heads of Marc Swanson and the urban relics of Rachel Harrison. These works and others suggest a long road trip through the emblems and eyesores of tourist destinations and outmoded hotels. The photography component includes work by William Eggleston, whose color-saturated images gravitate toward the tawdry palette of faded billboards and road signs. This fully-illustrated catalogue includes an essay by exhibition curator Darsie Alexander exploring artists' interest in the vernacular as a means to address aspects of folk ritual, amateur craft and sense of place in their work; a reprint of John Brinckerhoff Jackson's \"Vernacular\" from his seminal 1984 reader \u003ci\u003eDiscovering the Vernacular Landscape\u003c\/i\u003e; and a reflection by artist and curator Andy Sturdevant on the evolution of roadside vernacular, and attendant histories of heartland America where it is so abundant. Also included is a reading list gathered from a cross section of art criticism and cultural studies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText by Darsie Alexander, Andy Sturdevant, John Brinckerhoff Jackson.\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan class=\"Apple-style-span\" style=\"font-weight: normal;\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/div\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977640956199,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/81pwcNBlOhL._AC_UF1000_1000_QL80.jpg?v=1699727437"}],"url":"https:\/\/shop.walkerart.org\/collections\/books-magazines-walker-publications-exhibition-catalogues.oembed?page=4","provider":"Walker Art Center","version":"1.0","type":"link"}