{"title":"Books \u0026 Magazines","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"1000-design-classics","title":"1000 Design Classics","description":"Originating from the highly acclaimed and groundbreaking three-volume Phaidon Design Classics, this new book presents 1,000 of the world's greatest objects in one large-format volume - from everyday items by anonymous creators to lauded pieces by the likes of Charles and Ray Eames, Charlotte Perriand, Dieter Rams, Richard Sapper, Hans J. Wegner, and Florence Knoll.\u003cbr\u003e\u003cbr\u003eCarefully revised to bring every detail up to date, and with the addition of 100 new items that highlight designers from a diverse variety of backgrounds (including a greater number of female designers) and products from the last 15 years, this collection of the world's greatest product design is more comprehensive, compelling - and relevant - than ever before.\u003cbr\u003e\u003cbr\u003eThe book showcases celebrated names alongside the new stars of modern design, including Le Corbusier, Alvar and Aino Aalto, Isamu Noguchi, Ronan and Erwan Bouroullec, Lani Adeoye, Faye Toogood, and Lindsey Adelman. Each entry is accompanied by beautiful imagery and a detailed description that offers a rich insight into the product, its history, and its maker, from the renowned Tulip Chair by Eero Saarinen to the much-loved Bird Zero e-scooter.\u003cbr\u003e\u003cbr\u003eThis handsome book is the perfect reference guide for design enthusiasts, industry professionals, and all those interested in the creative process.","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46845812769063,"sku":null,"price":89.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/1000-design-classics-gebundene-ausgabe-phaidon-editors-englisch.jpg?v=1698089324"},{"product_id":"kara-walker-white-shadows-in-blackface","title":"Kara Walker: White Shadows in Blackface","description":"\u003cp\u003eIn 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover. Because these essays have not been distributed in the US and remain among the most in-depth and essential investigations of her work, Karma is now republishing them in this new clothbound volume.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eAmong the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva’s concept of abjection, Stone Mountain’s racist tourist attraction and the minstrel tradition.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eRobert Hobbs (born 1946) has written more than 50 books and catalogs, focusing on such artists as Milton Avery, Alice Aycock, Lee Krasner, Robert Smithson and Kehinde Wiley. Since 1991 he has held the Rhoda Thalhimer Endowed Chair of American Art in the School of Arts, Virginia Commonwealth University. Since 2004 he has served as a visiting professor at Yale University.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eNow based in New York, Kara Walker was born in Stockton, California, in 1969. She received her MFA from the Rhode Island School of Design in 1994; soon afterward, Walker rose to prominence for her large, provocative silhouettes installed directly onto the walls of exhibition spaces.\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977473347879,"sku":"79019130","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/71Wo1lzlxbL._AC_UF1000_1000_QL80.jpg?v=1699206898"},{"product_id":"james-turrell-a-retrospective","title":"James Turrell: A Retrospective","description":"\u003cp\u003e\u003cspan\u003eEdited with foreword and text by Michael Govan, Christine Y. Kim. Foreword by Gary Tinterow, Alison de Lima Greene. Text by Alison de Lima Greene, E.C. Krupp. Photographs by Florian Holzherr.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThis definitive book illuminates the origins and motivations of James Turrell’s incredibly diverse and exciting body of work—from his Mendota studio days to his monumental work-in-progress Roden Crater. Whether projecting shapes on a flat wall or into the corner of a gallery space, Turrell is perpetually asking us to \"go inside and greet the light\"—evoking his Quaker upbringing. In fact, all of Turrell’s work has been influenced by his life experiences with aviation, science and psychology, and as a key player in Los Angeles’ exploding art scene of the 1960s. Enhanced by thoughtful essays and an illuminating interview with the artist, this monograph explores every aspect of Turrell’s career—from his early geometric light projections, prints and drawings, through his installations exploring sensory deprivation and seemingly unmodulated fields of colored light, to two-dimensional experiments with holograms. It also features an in-depth look at Roden Crater, a site-specific intervention into the landscape near Flagstaff, Arizona, which is presented through models, plans, photographs and drawings. Fans of this highly influential artist will find much to savor in this wide-ranging and beautiful book, featuring specially commissioned photography by Florian Holzherr.\u003c\/span\u003e\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977473675559,"sku":"64756779","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/james-turrell-a-retrospective-33.jpg?v=1699746818"},{"product_id":"young-gifted-and-black-a-new-generation-of-artists","title":"Young, Gifted and Black: A New Generation of Artists","description":"\u003cp\u003eEdited with essay by Antwaun Sargent. Text by Graham C. Boettcher, Jessica Bell Brown, Connie H. Choi, Anthony Graham, Lauren Haynes, Jamillah James, Thomas J. Lax, Hallie Ringle, Adeze Wilford, Gordon Dearborn Wilkins, Matt Wycoff. Interview with Bernard Lumpkin by Thelma Golden.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now.\u003cbr\u003e\u003cbr\u003eEdited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that “it has become undeniable that African American artists are making much of the best American art today,” Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself.\u003cbr\u003e\u003cbr\u003eYoung, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted and Black in contemporary art.\u003cbr\u003e\u003cbr\u003eArtists include: Mark Bradford, David Hammons, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Adam Pendleton, Pope.L, LaToya Ruby Frazier, Henry Taylor, Mickalene Thomas, Lynette Yiadom-Boakye, Tunji Adeniyi-Jones, Sadie Barnette, Kevin Beasley, Jordan Casteel, Jonathan Lyndon Chase, Bethany Collins, Noah Davis, Cy Gavin, Allison Janae Hamilton, Tomashi Jackson, Samuel Levi Jones, Deana Lawson, Norman Lewis, Eric N. Mack, Arcmanoro Niles, Jennifer Packer, Christina Quarles, Jacolby Satterwhite, Paul Mpagi Sepuya, Sable Elyse Smith, Chanel Thomas, Stacy Lynn Waddell, D’Angelo Lovell Williams, Brenna Youngblood, and more.\u003cbr\u003e\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977474920743,"sku":"57728410","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/young-gifted-and-black-a-new-generation-of-artists-146.jpg?v=1699207885"},{"product_id":"adios-utopia-art-in-cuba-since-1950","title":"Adiós Utopia: Art in Cuba Since 1950","description":"\u003cp\u003ePublished in conjunction with the exhibition \u003ca href=\"https:\/\/walkerart.org\/calendar\/2017\/adios-utopia\"\u003e\u003cem\u003eAdiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 \u003c\/em\u003e\u003c\/a\u003eheld at the Walker Art Center Nov 11, 2017–Mar 18, 2018.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis publication offers a new vision of artistic development and production and which centers on associations with the utopian spirit that defines Cuba’s revolutionary period and its impact on art.\u003cbr\u003e\u003cbr\u003eThrough research and critique, the publication establishes a meaningful dialogue that demystifies the preconceived narratives that have characterized Cuban art during the Revolution. Aesthetics, politics and culture are often inextricably interlinked in the artworks created during this period, which in turn exemplify the global transcendence of how art can respond to a dynamic context. This publication reveals a broad range of trends and approaches from the 1950s until the present, covering a variety of mediums such as painting, sculpture, installation, photography and poster art, among others.\u003cbr\u003e\u003cbr\u003eWith over 150 images of artworks produced in Cuba during this time and more than 100 images from archival documents spanning over 60 years, the book includes essays by historians, art critics, curators, artists and other academics as well as a comprehensive chronology.\u003c\/p\u003e\n\u003cp\u003eHardcover \/ Slipcase \/ 404 pages \/ 2017\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977484718375,"sku":"56302398","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/file_d9a9bc59-d0f0-4039-942e-5f7420461946.png?v=1788297691"},{"product_id":"andy-warhol-supernova-stars-deaths-and-disasters-1962-1964","title":"Andy Warhol\/Supernova: Stars, Deaths and Disasters 1962-1964","description":"\u003cp\u003eFirst Edition \u003c\/p\u003e\n\u003cp\u003eEdited by Douglas Fogle. Essays by Francesco Bonami, Douglas Fogle and David Moos.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the age of mass media, American culture has displayed an unequaled fascination with both celebrities and disasters. Andy Warhol was one of the first artists to investigate these twin obsessions, beginning in the mid-1960s, as he shifted his practice from hand-painting to the mechanical photo silkscreen process. Andy Warhol\/Supernova brings together more than 50 examples of the artist's early silkscreen work, juxtaposing his iconic serial images of Marilyn Monroe, Elizabeth Taylor and Elvis Presley with his evocative and often disturbing appropriations of car crashes, electric chairs, and other \"disasters,\" appropriated from photojournalism and made side by side. The combination provides a glimpse into a prevailing condition of American modernity--this dual fascination with fame and tragedy--that remains a key component of our national identity. Looking back at this body of masterworks, now some 40 years old, it becomes clear that if some things have changed, more have stayed the same.\u003c\/p\u003e\n\u003cp\u003eHardcover, 9.75 x 13 in. \/ 112 pgs \/ 72 color.\u003c\/p\u003e\n\u003cp\u003ePublisher: Walker Art Center, 2005\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Red","offer_id":46977485373735,"sku":null,"price":39.95,"currency_code":"USD","in_stock":true},{"title":"Blue","offer_id":46977485406503,"sku":null,"price":39.95,"currency_code":"USD","in_stock":true},{"title":"Yellow","offer_id":46977485439271,"sku":null,"price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/andy-warhol-supernova-88.jpg?v=1699644481"},{"product_id":"bits-pieces-put-together-to-present-a-semblance-of-a-whole-walker-art-center-collections","title":"Walker Art Center Collections: Bits \u0026 Pieces Put Together To Present A Semblance Of A Whole","description":"\u003cp\u003e\u003cspan\u003eEdited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early twentieth century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations and digital arts that range in date from classic early Modernist to cutting edge contemporary.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClothbound, 7.5 x 10.5 in. \/ 616 pgs \/ 680 color \/ 150 duotone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePublication Date \u003cspan itemprop=\"datePublished\" content=\"2005-04-15\"\u003e4\/15\/2005\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977487143207,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/514x2Fh_P4L.jpg?v=1699728168"},{"product_id":"william-wegman-writing-by-artist","title":"William Wegman: Writing by Artist","description":"\u003cp\u003e\u003cem\u003eWriting by Artist \u003c\/em\u003eis the first collection to focus on \u003ca href=\"https:\/\/walkerart.org\/collections\/artists\/william-wegman\"\u003eWilliam Wegman\u003c\/a\u003e’s lengthy and deeply funny relationship to language and is filled with previously unknown and wildly entertaining texts, drawings, and early photographs spanning the early 1970s to the present.\u003c\/p\u003e\n\u003cp\u003eNot your standard book of essays, the publication was meticulously edited by Andrew Lampert to feature works incorporating words in one form or another. In some instances, the text is simply a caption or a few hand-written words, but all of the selected works hinge conceptually and pictorially on writing and language.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWriting by Artist \u003c\/em\u003eoffers a wide range of entry points into the artist’s universe. There are early photographic works, which may be familiar, but from there, things delightfully unravel with absurd non-sequiturs typed on Princess Cruises stationary, imagined restaurant reviews, witty annotations to a curator’s essay, musings on ancient footwear, deliberate mistranslations, reworked greeting cards, fictional advertisements for real life products, and other surprising prose forms.\u003c\/p\u003e\n\u003cp\u003eUltimately,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWriting by Artists \u003c\/em\u003ealters the logic and pushes the boundaries of what artist writing can be—shedding new light for those only familiar with Wegman’s later work, while serving as a welcome reminder of the artist’s madcap inventiveness for the already enlightened. In short, what you do or don’t know about William Wegman now conveniently fits into this strangely beguiling collection.\u003c\/p\u003e\n\u003cp\u003eWilliam Wegman was born in 1943 in Holyoke, Massachusetts. His work has been exhibited at museums and galleries internationally including retrospectives at the Whitney Museum of American Art, the Walker Art Center, the Wexner Center for the Arts, and the Centre Pompidou. Recent exhibitions include\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBefore\/On\/After: William Wegman and California Conceptualism \u003c\/em\u003eat the Metropolitan Museum of Art. Wegman has also created film and video works for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSaturday Night Live\u003c\/em\u003e, Nickelodeon, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSesame Street \u003c\/em\u003eand appeared on \u003cem\u003eThe Tonight Show, The \u003c\/em\u003e\u003cem\u003eDavid Letterman Show\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Colbert Report\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eAndrew Lampert is a New York-based artist, writer, archivist, and primary in the firm Chen \u0026amp; Lampert. His works have been internationally exhibited at venues including the Whitney Museum of American Art, New York Film Festival, Getty Museum, Toronto International Film Festival, and the International Film Festival Rotterdam, among many other venues. He has edited books on Tony Conrad, Manuel De Landa, George Kuchar, and Harry Smith. Lampert was formerly Curator of Collections at Anthology Film Archives, where he preserved hundreds of films and videos and co-programmed public screenings. His videos are distributed by Electronic Arts Intermix.\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"NL\"\u003eISBN: 9781737797906\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977488027943,"sku":"66602124","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/71-osYR9BcL._SY522.jpg?v=1699728534"},{"product_id":"tony-conrad-writings","title":"Tony Conrad: Writings","description":"\u003cp\u003eI want art to stand strong, to display how it manipulates its audience. I want it to take up their expectations, their sense of the world, their predispositions toward the way they think or use their language, and then to use these things perversely, politically, colorfully, “expressively.”\u003cbr\u003e\u003cbr\u003e—\u003ca href=\"https:\/\/walkerart.org\/collections\/artists\/tony-conrad\"\u003eTony Conrad\u003c\/a\u003e, “Dolomite: Having No Trust in Readers”\u003cbr\u003e\u003cbr\u003eWritings is the first collection to widely survey this singular polymath’s prolific activity as a writer. Edited by artists Constance DeJong and Andrew Lampert, the book spans the years 1961 – 2012 and includes fifty-seven pieces: essays originally published in small press magazines, exhibition catalogs, anthologies, and album liner notes, along with other previously unpublished texts. Conrad writes about his own work, with substantial contributions on The Flicker, Loose Connection, Four Violins, Articulation of Boolean Algebra for Film Opticals, Early Minimalism, Yellow Movies, Slapping Pythagoras, and Music and the Mind of the World, as well as that of his peers: Tony Oursler, Jack Smith, Rhys Chatham, and Henry Flynt, among others. He devotes critical essays both to grand subjects—horology, neurolinguistics, and the historical development of Western music—and more quotidian topics, such as television advertising and camouflage. He also writes on media activism, network communications, censorship, and the political and cultural implications of corporate and global media. No matter the topic or theme, Conrad always approaches his subjects with erudition, precision, and a healthy twist of humor.\u003cbr\u003e\u003cbr\u003eTony Conrad (1940–2016) was a multidisciplinary artist known for his groundbreaking art, music, films, and videos, although his work doesn’t fit comfortably within any of these disciplines. He eschewed categorization and actively sought to challenge the constraints of media forms, their modes of production, and the relationships of power embedded within them.\u003cbr\u003e\u003cbr\u003eISBN: 9780991558513\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977489076519,"sku":"TNYCNRD","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/618ObRVug4L._SY522.jpg?v=1699727759"},{"product_id":"primetime-contemporary-art-art-by-the-gala-committee-as-seen-on-melrose-place","title":"Primetime Contemporary Art: Art by the GALA Committee as Seen on Melrose Place","description":"\u003cp\u003e\u003cem\u003ePrimetime Contemporary Art\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a publication documenting a radical, two-year intervention by the GALA Committee on the primetime television show \u003cem\u003eMelrose Place\u003c\/em\u003e. Originally published in a limited run in 1998, this extremely rare artist book is reproduced here for the first time as a facsimile edition.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMel Chin initiated the loose collective of artists known as the GALA Committee in 1995 in response to an invitation to participate in an upcoming exhibition at the Museum of Contemporary Art, Los Angeles. The artist arranged with the producers of \u003c\/span\u003e\u003cem\u003eMelrose Place\u003c\/em\u003e\u003cspan\u003e for the collective to create objects for the soap opera, resulting in an extensive series of political works used as plot devices and props across two seasons of the show. The GALA Committee’s intervention provided surreptitious commentary on reproductive rights, HIV\/AIDS, the Gulf War, domestic terrorism, corporate malfeasance, and substance abuse, among other issues. Despite some of these topics having been banned by the FCC at the time, the group’s political critiques went unnoticed by censors, subverting corporate and government controls of primetime television with a progressive agenda.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese works were exhibited in \u003c\/span\u003e\u003cem\u003eUncommon Sense \u003c\/em\u003e\u003cspan\u003eat the Museum of Contemporary Art, Los Angeles in 1997 and then sold at an auction at Sotheby’s to support several charities. \u003c\/span\u003e\u003cem\u003ePrimetime Contemporary Art\u003c\/em\u003e\u003cspan\u003e, created by Chin and Helen Nagge, was used as the auction catalog for the evening, documented the artwork produced for the exhibition, and articulated the conceptual framework of the GALA Committee.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMel Chin was born in Houston, Texas, and is known for the broad range of approaches in his art, including works that require multi-disciplinary, collaborative teamwork, and works that enlist science as an aesthetic component to developing complex ideas. He pioneered “green remediation” in his 1990 project, \u003c\/span\u003e\u003cem\u003eRevival Field\u003c\/em\u003e\u003cspan\u003e; presented his proposal for a New World Trade Center as part of the American representation at the 2002 Venice Biennale of Architecture; won a Pedro Sienna Award for Animation in Chile for his 2017 film, \u003c\/span\u003e\u003cem\u003e9-11\/9-11\u003c\/em\u003e\u003cspan\u003e; and founded S.O.U.R.C.E. Studio in 2017 to realize sustained engagements with community and environment. In 2018, he presented \u003c\/span\u003e\u003cem\u003eUnmoored\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eWake\u003c\/em\u003e\u003cspan\u003e in Times Square, New York City, creating a visual portal into a future of rising waters, and had a forty-year-survey exhibition at the Queens Museum. He is the recipient of many awards, grants, and honorary degrees, including the MacArthur Fellowship in 2019, and was elected to the American Academy of Arts and Letters in 2021.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHelen Nagge\u003cspan\u003e has collaborated with Mel Chin on major public art projects for over two decades. She has worked with commercial galleries and non-profit art spaces in Houston, Texas, and New York City, and developed in-house archival systems for clients and seminal American artists’ estates. She also worked in publishing for several years, notably for Simon \u0026amp; Schuster, Harvey Klinger Literary Agency, and others, and continues to edit texts for Mel Chin Studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe GALA Committee (1995-1997) was a collective of artists, faculty, and students from the University of Georgia, Athens; CalArts, Los Angeles; and Grand Arts, Kansas City formed by Mel Chin in response to the 1995 invitation to participate in the group show\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUncommon Sense\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat the Museum of Contemporary Art, Los Angeles. The GALA Committee included: David Adams, Elizabeth Adams, Eric Andersen, Emily Arthur, Katie Bauman, Cameron Bernie, David Blanchard, John Borthwick, Barron Brown, Alan Bush, Heather Champ, Heeyeon Chang, Mel Chin, Lance Clarke, Roymont Clements, Kathleen Hillseth Clinesmith, Karina Combs, Melissa Conroy, John Crowe, John Cupit, Lesley Dill, Heather M. Eastman, Diane Edison, Brian Ellison, Evan Firestone, Mark Flood, Joe Girandola, Terry Glispin, Nuala Glynn, Jason Grier, Garrison Gunter, Elizabeth Huber, Chip Hayes, Frank Irving, Kim Jensen, Bryan Jernigan, Karin Johansson, M. Dana Jones, Cheryl Kaplan, Kendal Kerr, Kat Kinsman, Koichi Kimura, Jeff Knowlton, Leo Knox, Bernie Koersen, H. Lan Thao Lam, Ed Lambert, Elizabeth Langford, Jon Lapointe, Tom Lawson, Kristi Leonard, Donna Marcantonio, Diana McIntosh, Mara Lonner, Wendy Lundin, Steve Maleski, Thomas Mann, Stephen McRedmond, Carol Mendelsohn, Georgia Metz, Tamara Mewis, James Millar, Stever Miller, Tam Miller, Tess Miller, Dallas Moore, Margaret Morgan, Jerry Murphy, Helen K. Nagge, Yana Nirvana, Gail Patterson, Kim Patterson, Constance Penley, Joseph Pizzorusso, Chuck Pratt, Elizabeth S. Puckett, Dan Pugh, Martha Rees, Carl Robertson, Guadalupe Rodriguez, Sandra Rodriguez, Jeff Roe, Kathleen Rogan, Huan Saussy, Sanjit Sethi, Maura Sheehan, Jocelyn Shipley, Eric Shriner, Deborah Siegel, Rachel Slowinski, Frank South, Rachael Splinter, Eric Swangstu, Troy Swangstu, Janice Tanaka, Valerie Tevere, Joseph Tucker, Kathy Vargas, Tony Velasco, Jim Wade, John Watts, David Wilson. \u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977492451623,"sku":"PRMTM","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/61CeWha28oL._SY522.jpg?v=1699656173"},{"product_id":"sol-lewitt-four-basic-kinds-of-lines-colour","title":"Sol LeWitt: Four Basic Kinds of Lines \u0026 Colour","description":"\u003cp data-mce-fragment=\"1\"\u003eThis publication is a facsimile edition of \u003ca href=\"https:\/\/walkerart.org\/collections\/artists\/sol-lewitt\"\u003eSol LeWitt\u003c\/a\u003e’s iconic\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFour Basic Kinds of Lines \u0026amp; Colour. \u003c\/em\u003eOriginally published in 1977, the publication stands as an enduring example of LeWitt’s rigorous process-driven practice, which utilized simple conceptual parameters to generate complex and formally-diverse visual works.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFour Basic Kinds of Lines \u0026amp; Colour\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a composite of two earlier publications—\u003cem data-mce-fragment=\"1\"\u003eFour Basic Kinds of Straight Lines\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1969) and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFour Basic Colours and Their Combinations\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1971). Each left-hand page offers a black and white study of four types of lines (vertical, horizontal, right-facing diagonal, left-facing diagonal) executed in all possible combinations, while right-hand pages present a combinatory system of lines in four colors (yellow, black, red, blue). The book opens with a two-page key overviewing all permutations that follow.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is no secret that as a founder of American Conceptualism and one of its early theoreticians, LeWitt valued the idea and logical formulations of an artwork over the art-object. However, while one might suspect that such an adherence would prevent the creation of an aesthetically pleasing work, LeWitt’s efforts here and beyond prove otherwise.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSol LeWitt was an American artist who worked across a variety of media, including drawing, painting, photography, and sculpture. His early formulations around conceptualism helped to define a generation of artists who prioritized ideas and concepts rather than subjective decision-making in the creation of an artwork. These ideas are most clearly noted in his “Paragraphs on Conceptual Art” (1967) and “Sentences on Conceptual Art” (1969) and he is perhaps best-known for pioneering the wall drawing, a work derived from a series of formal operations applied directly to the wall. Throughout his life, LeWitt produced artists’ books and was a co-founder of Printed Matter in 1976. \u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977492779303,"sku":"SLLWT","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/products\/PI_PM_LeWitt_Cover.jpg?v=1699206078"},{"product_id":"art-rite","title":"Art-Rite","description":"\u003cp\u003eEdited by Walter Robinson, Edit DeAk, and Joshua Cohn,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eArt-Rite \u003c\/em\u003ewas published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground\/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eArt-Rite \u003c\/em\u003emoved easily through the expansive community it mapped out, paying homage to an emergent generation of artists, including many who were—or would soon become—the defining voices of the era. Through hundreds of interviews, reviews, statements, and projects for the page—as well as artist-focused and thematic issues on video, painting, performance, and artists’ books—\u003cem\u003eArt-Rite\u003c\/em\u003e’s sharp editorial vision and commitment to spotlighting the work of artists stands as a meaningful and lasting contribution to the art history of New York City and beyond.\u003c\/p\u003e\n\u003cp\u003eAll issues of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eArt-Rite \u003c\/em\u003eare collected and published here.\u003c\/p\u003e\n\u003cp\u003eFeatured artists include Vito Acconci, Kathy Acker, Bas Jan Ader, Laurie Anderson, John Baldessari, Gregory Battcock, Lynda Benglis, Mel Bochner, Marcel Broodthaers, Trisha Brown, Chris Burden, Scott Burton, Ulises Carrión, Judy Chicago, Lucinda Childs, Christo, Diego Cortez, Hanne Darboven, Agnes Denes, Ralston Farina, Richard Foreman, Peggy Gale, Gilbert \u0026amp; George, John Giorno, Philip Glass, Leon Golub, Peter Grass, Julia Heyward, Nancy Holt, Ray Johnson, Joan Jonas, Richard Kern, Lee Krasner, Shigeko Kubota, Les Levine, Sol LeWitt, Lucy Lippard, Babette Mangolte, Brice Marden, Agnes Martin, Gordon Matta-Clark, Rosemary Mayer, Annette Messager, Elizabeth Murray, Alice Neel, Brian O’Doherty,Genesis P-Orridge, Nam June Paik, Charlemagne Palestine, Judy Pfaff, Lil Picard, Yvonne Rainer, Judy Rifka, Dorothea Rockburne, Ed Ruscha, Robert Ryman, David Salle, Carolee Schneemann, Richard Serra, Jack Smith, Patti Smith, Robert Smithson, Holly Solomon, Naomi Spector, Nancy Spero, Pat Steir, Frank Stella, Alan Suicide (Vega), David Tremlett, Richard Tuttle, Andy Warhol, William Wegman, Lawrence Weiner, Hannah Wilke, Robert Wilson, Yuri, and Irene von Zahn.\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977493926183,"sku":"72159051","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/41QL9JLmRtL._AC_UF1000_1000_QL80.jpg?v=1699206665"},{"product_id":"lynda-benglis","title":"Lynda Benglis","description":"\u003cp\u003eThe definitive monograph on American sculptor and visual artist Lynda Benglis, one of the most important living artists today. \u003cbr\u003e\u003cbr\u003eSince her arrival in New York from her native Louisiana in the late 1960s, Lynda Benglis gained recognition for creating a groundbreaking body of work that challenged sculpture and painting conventions in a largely male-dominated art world.\u003cbr\u003e\u003cbr\u003eA tireless explorer of new shape and materials, Benglis's gestural and formal approach to art-making has, over the years, elevated her to iconic status, her work being evidence of how process can wield pliant matter and let it 'take its own form'.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977501823271,"sku":"90358663","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/91uTBn8Qr0L._AC_UF1000_1000_QL80.jpg?v=1699206866"},{"product_id":"stu-mead-frank-gaard-the-immortal-man-bag-journal-of-art","title":"Stu Mead \u0026 Frank Gaard: The Immortal Man Bag Journal of Art","description":"\u003cp\u003eMan Bag grew out of the Artpolicecomics magazine project that had been publishing out of the community of the Minneapolis Institute of Art, which fell victim in the late 1980s to the culture-wars climate of censorship.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn response, two of the protagonists of \u003cem\u003eArtpolicecomics\u003c\/em\u003e, Stu Mead (born 1955) and Frank Gaard (born 1944), got together on a new zine, this time deliberately thumbing their noses at political correctness and decency, fixating on “sick sex and decadence” in an underground “men’s magazine focused on deviated sexuality,” as Gaard puts it. Stu Mead \u0026amp; Frank Gaard: The Immortal Man Bag Journal of Art collects all printed editions of the zine, along with Man Bag No. 6, released for the first time. In his introduction, Gaard offers an unvarnished, conversational, infectious history of Man Bag, supplemented with extracts from Stu Mead’s diary.\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977502249255,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/products\/image_ada6a4f7-7da4-436c-a145-8a631e653514.jpg?v=1699206225"},{"product_id":"philip-guston-now","title":"Philip Guston Now","description":"\u003cp\u003eText by Harry Cooper, Mark Godfrey, Alison de Lima Greene, Kate Nesin. Contributions by Jennifer Roberts, Tacita Dean, Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy Sillman, Art Spiegelman, Rirkrit Tiravanija.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/walkerart.org\/collections\/artists\/philip-guston\"\u003ePhilip Guston\u003c\/a\u003e—perhaps more than any other figure in recent memory—has given contemporary artists permission to break the rules and paint what, and how, they want. His winding career, embrace of “high” and “low” sources, and constant aesthetic reinvention defy easy categorization, and his 1968 figurative turn is by now one of modern art’s most legendary conversion narratives. “I was feeling split, schizophrenic. The war, what was happening in America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything—and then going into my studio to adjust a red to a blue?”\u003cbr\u003e\u003cbr\u003eAnd so Guston’s sensitive abstractions gave way to large, cartoonlike canvases populated by lumpy, sometimes tortured figures and mysterious personal symbols in a palette of juicy pinks, acid greens, and cool blues. That Guston continued mining this vein for the rest of his life—despite initial bewilderment from his peers—reinforced his reputation as an artist’s artist and a model of integrity; since his death 50 years ago, he has become hugely influential as contemporary art has followed Guston into its own antic twists and turns.\u003cbr\u003e\u003cbr\u003ePublished to accompany the first retrospective museum exhibition of Guston’s career in over 15 years, Philip Guston Now includes a lead essay by Harry Cooper surveying Guston's life and work, and a definitive chronology reflecting many new discoveries. It also highlights the voices of artists of our day who have been inspired by the full range of his work: Tacita Dean, Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy Sillman, Art Spiegelman and Rirkrit Tiravanija. Thematic essays by co-curators Mark Godfrey, Alison de Lima Greene and Kate Nesin trace the influences, interests and evolution of this singular force in modern and contemporary art—including several perspectives on the 1960s and ’70s, when Guston gradually abandoned abstraction, returning to the figure and to current history but with a personal voice, by turns comic and apocalyptic, that resonates today more than ever.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977502576935,"sku":"73648663","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/714qM1AeSzL._SY522.jpg?v=1699656004"},{"product_id":"carrie-mae-weems-a-great-turn-in-the-possible","title":"Carrie Mae Weems: A Great Turn in the Possible","description":"\u003cp\u003ePreface by Iris Dressler, Elvira Dyangani Ose. Text by LaCharles Ward, Fred Moten. Chronology and glossary by Raul Muñoz.\u003c\/p\u003e\n\u003cp\u003eOne of the most influential American artists working today, \u003ca href=\"https:\/\/walkerart.org\/collections\/artists\/carrie-mae-weems\"\u003eCarrie Mae Weems\u003c\/a\u003e has investigated narratives around family, race, gender, sexism, class and the consequences of power for more than 40 years. Her complex oeuvre—always ahead of its time, and profoundly formative for younger generations of artists—has employed photography (for which she is best known), fabric, text, audio, digital images, installation and video. Writing in the New York Times, Holland Cotter succinctly described Weems as “a superb image maker and a moral force, focused and irrepressible.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume, spanning four decades of work, is the most thorough survey yet published. It includes Weems’ earliest series, such as Family Pictures and Stories, for which she photographed her relatives and close friends; the legendary Kitchen Table Series, in which she posed in a domestic setting; and other critically acclaimed works and series such as Ain’t Jokin’, Colored People, From Here I Saw What Happened and I Cried, Not Manet’s Type, The Jefferson Suite, Monuments, Roaming, Museums, Constructing History (A Class Ponders the Future), Slow Fade to Black and the Obama Project, among many others. Contextualizing these pieces are essays by LaCharles Ward and Fred Moten and a chronology by Raul Muñoz. The book also includes a visual essay by Weems that presents a personal selection of her own works from the artist's perspective.\u003c\/p\u003e\n\u003cp\u003eCarrie Mae Weems (born 1953) has received numerous awards, grants and fellowships, and is represented in public and private collections around the world, including the Metropolitan Museum of Art, the Museum of Fine Arts, Houston, the Museum of Modern Art and the Museum of Contemporary Art, Los Angeles. Weems lives in Brooklyn and Syracuse, New York.\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977502642471,"sku":"22838663","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/61DRL3vLzUL._AC_UF1000_1000_QL80.jpg?v=1699206706"},{"product_id":"wolfgang-tillmans-to-look-without-fear","title":"Wolfgang Tillmans: To look without fear","description":"\u003cp\u003eEdited with text by Roxana Marcoci. Text by Quentin Bajac, Yve-Alain Bois, Julia Bryan-Wilson, Clément Chéroux, Durga Chew-Bose, Stuart Comer, Keller Easterling, Paul Flynn, Sophie Hackett, Michelle Kuo, Oluremi C. Onabanjo, Phil Taylor, Wolfgang Tillmans. Chronology by Phil Taylor, Andrew Vielkind.\u003c\/p\u003e\n\u003cp\u003eEncompassing photography, installation, print media, video and more, this publication is the most comprehensive account of Tillmans’ wide-ranging career to date\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA visionary creator and intrepid polymath, Wolfgang Tillmans unites formal inventiveness with an ethical orientation that attends to the most pressing issues of life today. While his work transcends the bounds of any single artistic discipline, he is best known for his wide-ranging photographic output. From trenchant documents of social movements to windowsill still lifes, ecstatic images of nightlife to cameraless abstractions, sensitive portraits to architectural studies, astronomical phenomena to intimate nudes, he has explored seemingly every genre of photography imaginable, continually experimenting with how to make new pictures and deepen the viewer’s experience.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublished in conjunction with a major exhibition of Tillmans’ work at the Museum of Modern Art, this copiously illustrated volume surveys four decades of the artist’s career. An outstanding group of writers offer diverse essays addressing key threads of his multifaceted practice, and a new text by Tillmans himself elucidates the distinctive methodology behind his system of presenting photographs. Wolfgang Tillmans: To look without fear grants readers new insight into the work of an artist who has not only changed the way photography is exhibited but pointed contemporary art in dynamic new directions.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWolfgang Tillmans (born 1968) is among the most influential contemporary artists, and the impact of his work registers across the arts, intersecting with fashion, music, architecture, the performing arts and activism. Tillmans is the recipient of the Turner Prize (2000) and the Hasselblad Foundation International Award in Photography (2015). His foundation, Between Bridges, supports the advancement of democracy, international understanding, the arts and LGBTQ rights.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977502708007,"sku":"WGTIL","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/71lXdEF8nvL._SY522.jpg?v=1699728673"},{"product_id":"donald-judd-complete-writings-1959-1975","title":"Donald Judd: Complete Writings 1959–1975","description":"\u003cp\u003eThis is the complete, authorized collection of \u003ca href=\"https:\/\/walkerart.org\/collections\/artists\/donald-judd\"\u003eDonald Judd\u003c\/a\u003e's early art criticism and polemical writings; it includes his landmark essay \"Specific Objects\" plus more than 500 contemporary art reviews he wrote on key artists and exhibitions of the 1960s.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComplete Writings 1959–1975\u003c\/em\u003e was first published in 1975 by The Press of the Nova Scotia College of Art and Design, and since then it has been the primary source for Donald Judd’s early writing. Working as an art critic for the magazines Arts, Arts Magazine and, later, Art International, Judd regularly contributed reviews of contemporary art exhibitions between 1959 and 1965, but continued to write throughout his life on a broad range of subjects. In his reviews and essays, Judd discussed in detail the work of more than 500 artists showing in New York in the early and mid-1960s, and provided a critical account of this significant era of art in America. While addressing the social and political ramifications of art production, the writings frequently addressed the work of such artists as Jackson Pollock, Kazimir Malevich, Barnett Newman, Ad Reinhardt, Lee Bontecou, Yayoi Kusama, John Chamberlain, Dan Flavin, Kenneth Noland and Claes Oldenburg. Judd’s essay \"Specific Objects,\" first published in 1965, remains central to the analysis of the new art developed in the early 1960s. Other essays included in this publication are \"Complaints I\" (1969), \"Complaints II\" (1973) and his previously unpublished essay \"Imperialism, Nationalism and Regionalism\" (1975), all of which establish the polemical importance of Judd’s writing.\u003cbr\u003e\u003cbr\u003eDonald Judd (1928–94) was born in Excelsior Springs, Missouri, and after having served in the United States Army, attended the College of William and Mary, Williamsburg, Virginia, and Columbia University, New York, where he received a BS in Philosophy, cum laude, in 1953. Studying at the Art Students League, Judd began his artistic career as a painter and transitioned to three-dimensional work in the early 1960s. Throughout his lifetime, in his writings and his work, he advocated for the importance of art and the artist’s role in society.\"\u003c\/p\u003e\n\u003cp\u003ePaperback, 8.5 x 11 in. \/ 240 pgs \u003c\/p\u003e\n\u003cp\u003ePublisher: Judd Foundation, 2016\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977502806311,"sku":"86038663","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/61I_ygZZYmL._AC_UF1000_1000_QL80.jpg?v=1699647179"},{"product_id":"jonas-mekas-scrapbook-of-the-sixties","title":"Jonas Mekas: Scrapbook of the Sixties","description":"\u003cp\u003eAndy Warhol, Susan Sontag, John Lennon \u0026amp; Yoko Ono — Jonas Mekas was well acquainted with a great many New York artists. Born in Lithuania, he came to Brooklyn via Germany in 1949 and began shooting his first experimental films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, starting in 1958 he published his legendary Movie Journal column in the Village Voice, writing on a range of subjects that were by no means restricted to the world of film. He conducted numerous interviews with artists, some of which will now appear for the first time in his Scrapbook of a Diarist. 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It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time within the context from which they arose. Also included are photographic contributions by Bruce Talamon and Harry Drinkwater.\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977503035687,"sku":"LAOBJ","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/71iIJ_b2G7L._AC_UF1000_1000_QL80.jpg?v=1699208138"},{"product_id":"parkett-no-98-ed-atkins-theaster-gates-lee-kitt-mika-rottenberg","title":"Parkett No. 98: Ed Atkins, Theaster Gates, Lee Kitt, Mika Rottenberg","description":"\u003cp\u003eEdited by Nikki Columbus.\u003c\/p\u003e\n\u003cp\u003eIssues of materiality, embodiment, and subjectivity are explored in this volume of Parkett. Our four artist-collaborators tackle the vast questions of who we are as individuals, how we interact with others, and what we create with our labor.\u003cbr\u003e\u003cbr\u003eThe videos of Ed Atkins feature solitary avatars whose prolix and euphuistic monologues—written and voiced by the artist—plumb the sorrily sentimental and the sordidly somatic. Always white and male, these hyper-real, high-definition, digitally animated talking heads seem to be suffering, or are “perhaps just insufferable” (Leslie Jamison).\u003cbr\u003e\u003cbr\u003eTheaster Gates’s practice spans sculpture and ceramics, architecture and urban planning, operating within a “circular economy” that connects “underserved black communities on the South Side of Chicago with the institutional art world” (Andrew Herscher). Materials from disused buildings are transformed into gallery-ready art objects, the sales of which fund the structures’ renovation and repurposing as neighborhood archives and meeting spaces.\u003cbr\u003e\u003cbr\u003eLong concerned with the privatization of public space in Hong Kong, Lee Kit has sought both to occupy and to withdraw, alternating between interaction and interiority. He salvages the imprints of our bodies—stains, shadows, scrawled words—with simple materials like cotton or cardboard, creating works that overlap multiple genres, at once domestic still lifes and landscapes, self-portraits and history paintings (Doryun Chong).\u003cbr\u003e\u003cbr\u003eFinally, human traces are packaged as commercial products in Mika Rottenberg’s colorfully abject allegories of global capitalism. Splicing together fictional scenarios performed by actors and documentary footage of factory workers, her videos depict elaborate assembly lines of women interlinked across time and space. The resulting works are “more realistic than most Realism” as they lay bare the “strange imperatives imposed on life and labor by the exigencies of universal commodification” (Jonathan Beller).\u003cbr\u003e\u003cbr\u003eInspired by museum objects and displays, the Insert by Iman Issa offers a photographic collection imagining the various forms that materials can take.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977503199527,"sku":"28708663","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/Screenshot2023-11-05at12.16.27PM.png?v=1699208206"},{"product_id":"david-wojnarowicz-dear-jean-pierre","title":"David Wojnarowicz: Dear Jean Pierre","description":"\u003cp\u003eEdited by James Hoff. Text by Cynthia Carr.\u003c\/p\u003e\n\u003cp\u003eAn epistolary portrait of Wojnarowicz’s formation as an artist and writer through his tender letters to his Parisian lover—with artwork, photographs and ephemera\u003cbr\u003eThis volume collects David Wojnarowicz’s transatlantic correspondence to his Parisian lover Jean Pierre Delage between 1979 and 1982. Capturing a truly foundational moment for Wojnarowicz’s artistic and literary practice, these letters not only reveal his captivating personality—and its concomitant compassion, neuroses and tenderness—but also index the development of the visual language that would go on to codify him as one of the preeminent artists of his generation.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThrough this collection, readers are introduced to Wojnarowicz’s Rimbaud series, his band 3 Teens Kill 4, the publication of his first photographs, his early friendship with Peter Hujar, his participation in the then-emerging East Village art and music scenes, and the preparations for the publication of his first book. Included with these writings are postcards, drawings, xeroxes, photo­graphs, collages, flyers, ephemera and contact sheets that showcase some of the artist’s iconic images and work, such as the Burning House motif and Untitled (Genet, after Brassai).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBeyond these milestones, the book offers a striking portrayal of Wojnarowicz as a 20-something detailing his day-to-day life with the type of unbridled earnestness that comes with his age and the softness of love and longing. This disarming tenderness provides a picture of a young man who is just beginning to find his voice in the world and the love he has discovered in it. Although the two exchanged letters in equal measure, Delage’s correspondences have largely been lost, leaving us with only a revelatory glimpse into the internal world of Wojnarowicz during what turned out to be his formative years.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePainter, photographer, writer, filmmaker, performance artist, songwriter and activist, David Wojnarowicz was born in Redbank, New Jersey, in 1954 and died of AIDS in New York in 1992. He authored five books, most famously Close to the Knives. Wojnarowicz attained national prominence as a writer and advocate for AIDS awareness and for his stance against censorship. His work is in numerous private and public collections, including the Museum of Modern Art and Whitney Museum of American Art, New York; Los Angeles County Museum of Art; and the National Gallery of Canada, Ottawa, among other institutions.\u003cbr\u003e\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977503428903,"sku":null,"price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/PI_DW_DJP_Cover-scaled.jpg?v=1699208258"},{"product_id":"eva-rothschild","title":"Eva Rothschild","description":"\u003cp\u003eEdited by Michael Dempsey.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEva Rothschild’s large-scale sculptural compositions explore relationships between surface and structure whilst testing the boundaries between the abstract and figurative.\u003cbr\u003e\u003cbr\u003eAccompanying a solo exhibition at Dublin City Gallery The Hugh Lane, Dublin (23 May–21 September 2014), this volume features a number of recent sculptures by the Irish-born artist alongside a series of photographic portraits of gallery visitors holding snakes.\u003cbr\u003e\u003cbr\u003eUsing diverse materials, such as wood, steel and fibreglass, Rothschild investigates sculptural form by testing the limits of those materials. With references to Minimalism and Constructivism, Rothschild’s work aims to invert Modernism’s forms and question its utopian ideas.\u003cbr\u003e\u003cbr\u003eAlongside full-colour illustrations, this volume includes texts by Brian Dillon and Michael Dempsey which closely examine Rothschild’s installation at the gallery and her ties to broader art history. \u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977503461671,"sku":"13008663","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/eva-hl-cover-246x320mm-v5b.jpg?v=1699206759"},{"product_id":"richard-prince-same-man","title":"Richard Prince: Same Man","description":"\u003cp\u003eEdited by Malou Wedel Bruun, Anders Kold. Text by Nancy Spector, Anders Kold.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eAn ingenious and collectible book-as-poster documenting Prince’s half-century of image appropriation\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eFor aficionados of \u003ca href=\"https:\/\/walkerart.org\/collections\/artists\/richard-prince\"\u003eRichard Prince\u003c\/a\u003e (born 1949) and of the possibilities of the book form, this unique exhibition catalog is an exclusive three-in-one kind of publication. Designed in the dimensions of a 12 x 12-inch LP record and housed in a plastic sleeve, when unfolded it transforms into a two-sided (one English, one Danish) poster with a richly illustrated collage of works by Prince from across his career (including his famous \"rephotographs\"), plus two in-depth texts on Prince’s oeuvre by the curators Nancy Spector and Anders Kold.\u003cbr data-mce-fragment=\"1\"\u003eA defining figure of the Pictures Generation, Prince is famed for his radical acts of appropriation, which have taken many turns across the course of his five-decade career. His visual world, encapsulated in this innovatively designed volume, offers a remarkably consistent portrait of late 20th-century America.\u003c\/p\u003e\n\u003cp\u003eRichard Prince started his career as a figure painter, but around 1975 he started to make collages using photographs and text. In 1977 he produced a series of four photographs of living rooms lifted from the New York Times. This act of rephotographing cast doubt on basic assumptions about authorship, the authenticity of photographic images, the ownership of public images, and the nature of invention. In the Jokes series, started in 1986, Prince chronicles America's sexual fantasies and frustrated desires through one-liners, stand-up comedy, and burlesque-like jokes. Revealing the darker side of American life and the pathology of Middle America, his work exposes several false distinctions: the presumed dichotomies between the copy and the original, the normal and the uncanny, public and private, fact and fiction. Prince's appropriated photograph Brooke Shields (Spiritual America) (1983) shows the ten-year-old actress standing in the bath, her androgynous child's body contradicted by her sophisticated, womanly attitude. The title of the work alludes to Alfred Stieglitz's photograph of the same name, which depicts the groin of a castrated horse. When this work was first shown in an exhibition organized by Prince himself, the image was at the center of a lawsuit between Shields' mother and the original photographer. Prince's controversial display of the photograph raises issues of voyeurism and commodification of images.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977503789351,"sku":"87197663","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/Screenshot2023-11-14at9.46.27PM.png?v=1700020003"},{"product_id":"sol-lewitt-lines-in-two-directions-and-in-five-colors-on-five-colors-with-all-their-combinations","title":"Sol LeWitt - Lines in Two Directions and in Five Colors on Five Colors with all Their Combinations (1988)","description":"\u003cp\u003ePublished on the occasion of the exhibition \u003cem\u003eSol LeWitt: Prints and Books\u003c\/em\u003e, held at the Walker Art Center and the Minnesota Center for Book Arts in 1988.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublisher: Walker Art Center\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBook Format: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e Paperback \/\u003c\/span\u003e\u003cspan\u003e 9 x 9 in. \/ 80 pgs \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003ePublication Date: 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977525219623,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/md30776574117.jpg?v=1699726292"},{"product_id":"film-works-with-merce-cunningham","title":"Film Works with Merce Cunningham","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book was published to accompany the exhibition “Kurt-Schwitters-Preis 2009 der Niedersachsischen Sparkassenstiftung Tacita Dean, Sprengel Museum Hannover, 22 November 2009 — 28 March 2010.\u003c\/span\u003e\u003c\/p\u003e","brand":"Idea House 3","offers":[{"title":"Default Title","offer_id":46977525645607,"sku":"9783869300702","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/products\/image_4ecf4981-6f7d-405d-9972-56272c80df0a.jpg?v=1699204830"},{"product_id":"cremaster-2-matthew-barney","title":"Matthew Barney - Cremaster 2 (1999)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished in conjunction with the exhibition Matthew Barney: Cremaster 2 at the Walker Art Center, Minneapolis, July 18 – October 17, 1999, organized by Richard Flood.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe second installment of Barney's ongoing series of Cremaster \"operas,\" Cremaster 2 is loosely based on the life of serial killer Gary Gilmore's fascination with his alleged maternal grandfather, Harry Houdini, \u003cmeta charset=\"utf-8\"\u003eand his desire to join Houdini in the afterlife. \u003cmeta charset=\"utf-8\"\u003eThis artist’s book of the film comes encased in a molded plastic sheath featuring the emblem of a beehive, a symbol of the Mormon Tabernacle.\u003c\/span\u003e\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977526661415,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/51n_P2lRt2L._SX679.jpg?v=1699652654"},{"product_id":"from-the-tops-of-the-trees","title":"From the Tops of the Trees","description":"Young Kalia has never known life beyond the fences of the Ban Vinai Refugee Camp. The Thai camp holds many thousands of Hmong families who fled in the aftermath of the little-known Secret War in Laos that was waged during America's Vietnam War. For Kalia and her cousins, life isn't always easy, but they still find ways to play, racing with chickens and riding a beloved pet dog.\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eJust four years old, Kalia is still figuring out her place in the world. When she asks what is beyond the fence, at first her father has no answers for her. But on the following day, he leads her to the tallest tree in the camp and, secure in her father's arms, Kalia sees the spread of a world beyond.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKao Kalia Yang's sensitive prose and Rachel Wada's evocative illustrations bring to life this tender true story of the love between a father and a daughter.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKao Kalia Yang is a Hmong-American writer. She is the author of the memoirs The Latehomecomer: A Hmong Family Memoir, The Song Poet, and Somewhere in the Unknown World. Yang is also the author of the children’s books A Map Into the World, The Shared Room, The Most Beautiful Thing, and Yang Warriors. She co-edited the ground-breaking collection What God is Honored Here?: Writings on Miscarriage and Infant Loss By and For Native Women and Women of Color. Yang’s work has been recognized by the National Endowment for the Arts, the National Book Critics Circle Award, the Chautauqua Prize, the PEN USA literary awards, the Dayton’s Literary Peace Prize, as Notable Books by the American Library Association, Kirkus Best Books of the Year, the Heartland Bookseller’s Award, and garnered four Minnesota Book Awards. 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Co-published by the Dallas Museum of Art and the Walker Art Center, this volume accompanies the first comprehensive, scholarly exhibition to be organized in the United States of this critically acclaimed American artist. Examining over 25 years of his artistic career, this uniquely designed catalogue weaves together the voices of many to situate the artist’s work within issues of identity, social activism, illness, beauty, generosity and death. Contributions include an in-depth overview of Hodges’ career by Jeffrey Grove, Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art; an essay and interview with the artist by Olga Viso, Executive Director of the Walker Art Center; a reflection on Hodges’ early artistic development by Bill Arning, Director of the Contemporary Arts Museum, Houston; an essay on sentimentality and the artist’s recent video work by Helen Molesworth, Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston; as well as ruminations on recurring motifs in the artist’s work by author Susan Griffin.\u003cbr\u003e\u003cbr\u003eBorn in 1957 in Spokane, Washington, New York-based artist Jim Hodges has been featured in numerous solo and group exhibitions in the U.S. and in Europe, including the 2004 Whitney Biennial and a solo exhibition at the Centre Georges Pompidou, Paris. Hodges’ work is included in the collections of notable institutions, among them the Dallas Museum of Art; the Walker Art Center, Minneapolis, MN; The Art Institute of Chicago; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Los Angeles County Museum of Art; The Museum of Modern Art, New York; the Philadelphia Museum of Art; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York.\u003cbr\u003eBorn in 1957 in Spokane, Washington, New York-based artist Jim Hodges has been featured in numerous solo and group exhibitions in the U.S. and in Europe, including the 2004 Whitney Biennial and a solo exhibition at the Centre Georges Pompidou, Paris. Hodges’ work is included in the collections of notable institutions, among them the Dallas Museum of Art; the Walker Art Center, Minneapolis, MN; The Art Institute of Chicago; the Solomon R. 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Foreword by Kathy Halbreich.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe Walker Art Center opened its expanded space, which includes a new theater, a new restaurant and more galleries, but is best known for being Herzog \u0026amp; de Meuron's first public building in the United States. The project drew national coverage from media including The New York Times. Expanding the Center addresses this public interest in the building with a generous selection of images, including sketches, renderings and photographs of the construction process and the completed work. Herzog \u0026amp; de Meuron's shimmering but grounded design mirrors the textures and shades of the Walker's original space, and an institutional philosophy based in innovation and risk-taking, the exploration of alternative approaches to learning, the experimental use of technologies to communicate information, and the design of spaces to enhance a variety of museum experiences. The book is organized around the decisions and actions of the architects, builders, Walker staff and the audience--i.e. designing, constructing, unveiling, staging, gathering, patterning, framing, collecting--and highlights the thinking that led to the visible form of the Center as well as the innovative projects and initiatives that give it its inimitable character.\u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977555333415,"sku":null,"price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/21Yc_w3gtZL.jpg?v=1699647366"},{"product_id":"pacita-abad","title":"Pacita Abad","description":"\u003cp\u003eEdited with text by Victoria Sung. Text by Pio Abad, Julia Bryan-Wilson, Ruba Katrib, Nancy Lim, Matthew Villar Miranda, Xiaoyu Weng.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA comprehensive survey of Abad's visually dazzling and politically prescient works blending fabric and paintingThis volume surveys three decades of Pacita Abad’s multifaceted practice. Published on the occasion of her first-ever retrospective, it includes new research and writing by Julia Bryan-Wilson, Ruba Katrib, Nancy Lim, Matthew Villar Miranda, Victoria Sung and Xiaoyu Weng, an edited oral history about the artist’s life and work by Pio Abad and Victoria Sung, and never-before-seen artworks and archival materials.Over the course of her career, Abad made an exuberant, wide-ranging body of work that was ahead of its time in promoting a transcultural worldview. Moving between the Philippines, Indonesia, Singapore and the US—while also spending extended periods in dozens of countries on six continents—she interacted with the many artist communities she encountered on her travels. Drawing on her knowledge of global fiber traditions, Abad innovated a hybrid art form that she called “trapunto” painting (from the Italian word trapungere, “to embroider”). Made by stitching and stuffing her painted canvases as opposed to stretching them over a wood frame, the resulting works’ portability speaks to her peripatetic existence, while their association with textiles evokes female, non-Western forms of labor that have historically been marginalized as craft. Pacita Abad (1946–2004) was born in Batanes, Philippines. 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Playing a central role in the Italian Arte Povera movement of the 1960s and early 1970s, Kounellis created wide-ranging and innovative works exploring theater, migration, history, politics and other themes, which continue to influence subsequent generations of artists.\u003c\/p\u003e\n\u003cp\u003ePublished by the Walker Art Center for the first US Kounellis survey in over 35 years, \u003cem\u003eJannis Kounellis in Six Acts\u003c\/em\u003e offers the most comprehensive assessment of his career to date. The richly illustrated catalog, assembled with the full cooperation of the artist’s estate and archive, presents a first-of-its-kind collection of visual materials and Kounellis’ writings, including image-based exhibition and performance chronologies. The volume also features essays by Vincenzo de Bellis, Claire Gilman, Kit Hammonds and Ara H. Merjian.\u003c\/p\u003e\n\u003cp\u003eJannis Kounellis (1936–2017) was born in Piraeus, Greece. 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Roosa, Marc Glode, and Tamatha Sopinski Perlman, as well as an interview with the artist by Sonke Magnus Muller, this monograph documents a new film and features several sculptures shown for the first time, as well as early three dimensional works that illuminate Larson's later films and sculptural installations. \u003c\/p\u003e","brand":"Walker Art Center","offers":[{"title":"Default Title","offer_id":46977586757927,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0189\/1367\/files\/51HGtysoEIL._SX342_SY445.jpg?v=1699645632"},{"product_id":"dawoud-bey-portraits1975-1995","title":"Dawoud Bey: Portraits 1975-1995","description":"\u003cp\u003ePublished on the occasion of the exhibition \u003cem\u003eDawoud Bey: Portraits1975-1995 \u003c\/em\u003eat the Walker Art Center, Minneapolis (September 17 - December 10, 1995)\u003c\/p\u003e\n\u003cp\u003eForward by Kathy Halbreich with contributions by Kellie Jones, A.D. 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Iran, 1971) has created sculptures, photographic works, and drawings that explore relationships between architecture, everyday objects, and the human body. Her works mark boundaries, transitions, and gaps in the museum, prompting us to consider form and meaning in the context of interior and exterior spaces. Drawing on a multiplicity of references—including dance, theater, design, and fashion—and producing unlikely juxtapositions in material and scale, Baghramian questions and challenges the definition of sculpture.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDéformation Professionnelle\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eoffers a new approach to the artist survey, an exhibition format that follows the development of an artist’s career over a period of time. 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